Katherine Liberovskaya is a Canadian video and media artist based in Montreal and New York. She has been working predominantly in experimental video since the late eighties. Over the years, she has produced many single-channel videos, video installation works and video performances which have been presented at a wide variety of artistic venues and events around the world among which: Diapason Gallery, NY, Netmage, Bologna, MUU Gallery, Helsinki, Bunkier Sztuki National Gallery, Krakow, M'ARS Gallery, Moscow, Gallery 21, St-Petersburg, Gallery Ssamzie, Seoul, Stazione di Topolo - Postaja Topolove, Italy, Institute for Transacoustic Research (Iftaf), Vienna, Balazs Bela Studio, Budapest, ISEA 2004, Helsinki, The Subtropics Experimental Music Festival, Miami, Images, Toronto, FCMM, Montreal, Osnabrück European Media Art Festival, VIPER, Basel, offline@online Media Art Festival, Tallin, WRO Festival, Wroclaw, VideoMedeja Festival, Novi Sad, Mass Cultura, Lisbon, Les instants vidéo de Manosque, France... As of recent years her work mainly revolves around collaborations with new music composers/sound artists, notably Phill Niblock, Al Margolis/If, Bwana and David Watson. In 2003 she began exploring live video mixing, using MAX/MSP and Jitter, in improvisation with live new music/sound. Since, she has performed at a variety of venues in NY, Montreal and Europe with a number of music/sound artists including: o.blaat, Margarida Garcia, Barry Weisblat, Vortex (Satoshi Takeishi + Shoko Nagai), Mary Halvorson, Hans Tammen, Anthony Coleman, Toshio Kajiwara, Shelley Hirsch, Tiziana Bertoncini, Thomas Lehn, Urkuma, Angelica Castellò, Micheal Delia, Antonio Della Marina, Giuseppe Ielasi, Renato Rinaldi, Martine Crispo, TV Pow , Boris Hauf, Richard Geret, Gil Sanson, Gill Arno, Ben Owen, André Gonçalves, Matt Pass...
